《死亡医师》观后感100字( 四 ) 死亡医师|观后感

【基本剧情介绍】
Created by Patrick Macmanus (“Homecoming”), “Dr. Death” jumps back and forth between the developing case—first focusing on Henderson/Kirby’s medical investigation and then the legal one with Shugart—and flashbacks to Duntsch’s procedures and personal life. The show opens with disclaimers about some names and facts changed for fiction’s sake, but the version of Duntsch here is a vile user, someone who discarded not just patients but everyone who helped him along the way, including his son’s mother (Molly Griggs). Even Duntsch's best friend Jerry (Dominic Burgess) ended up one of his victims after a spinal surgery paralyzed him. The portrait of Duntsch here is someone who impresses at first, especially those on hospital boards who might make money off a hotshot neurosurgeon, but whose fa?ade eventually crumbles, taking anyone around into the rubble. It certainly does for a confident physician’s assistant (an effective Grace Gummer), who sees firsthand the corners that Duntsch is willing to cut.
【这个版本的邓特就是恶毒的利用者】
The flashbacks present a man who somehow thought he could push through any adversity. That’s one thing when you’re repeatedly getting a play wrong in a football practice, and quite another when you’re incapable of performing the spinal surgeries that you’ve promised your patients. And yet “Dr. Death” smartly never resorts to humanizing Duntsch, who sees his mistakes as mere common malpractice all the way up to the end. What’s so disturbing about this case is the idea, raised a few times here, that Duntsch must have known what he was doing in a few instances. Is it possible he was a literal sociopath and maimed his patients on purpose？ Dr. Henderson sure seems to think so as he explains how the violence from Duntsch’s surgeries would be hard to call accidental. It sounds like even someone who had never performed a surgery would know that they were doing something very wrong. Did Duntsch？ Did he just not care？ We'll never know, and "Dr. Death" wisely only hints at these darker themes instead of turning into melodrama. It makes them all the more terrifying.
【闪回中的橄榄球训练，就像以后一次次的手术，邓特以为他能推开各种阻碍。然而一次一次犯错，球赛中和手术台上所造成的后果完全不一样。这段又用wisely形容这部剧。】
The generally underrated Joshua Jackson carries “Dr. Death” with a fascinating blend of idiotic confidence and nonchalant sociopathology. He nails the ego that often hides incompetence, embodying a person who thinks he can merely work around inadequacy. We’ve all met men like Chris Duntsch—people that think if they tell themselves that they can change the world that it will somehow be true. What separates this story is that most of those people get shot down before they can do real harm, but Duntsch was enabled again and again. There’s a fascinating undercurrent to “Dr. Death” that reminded me of “Spotlight,” another story of vile predators who were moved around a broken system instead of brought to justice. Duntsch was allowed to perform dozens of life-changing bad surgeries and even killed a couple people before upstanding fellow surgeons took him down.